This
Saturday Snapshot is a little late, but it is still Saturday (just), so here goes.
Since it was Remembrance Day on November 11, I decided to share a couple of
three pictures that I took when my Younger Daughter and I went to see the
ceramic poppies at the Tower of London, created by Paul Cummins to commemorate
the 100th anniversary of the outbreak of the First World War, with
settings by theatre designer Tom Piper.
| Ceramic poppies in the moat at the Tower of London. |
The
whole project was also very symbolic. There are the poppies of course, more
than 8 million of them (888246 to be precise), filling the moat and spilling
from a tower window, like a river of blood, surrounding the building. Each bright red ceramic poppy represents one
of the 888246 British and Colonial servicemen who lost their lives during WW1.
In addition, work on the project got under way on August 6 (the day that
British troops were engaged in their first action back in 1914), and finished on
November 11, or Armistice Day, when hostilities finally came to an end at the
11th hour of the 11th day of the 11th month.
| Poppies cascading from a window. |
According
to Historic Royal Palaces Tower of London
Cummins took his inspiration words written by a soldier
who died at Flanders: “The Blood Swept lands and seas of red, where angels fear
to tread.” And potters at his studio created the poppies using hand-made techniques
common at the time of the Great War.
| And another view of the poppies, from the other side of the cascade. |
While the poppies were there, the Last Post was played at
sunset every evening, but this week volunteers have been dismantling the art
work. Some parts of it, including the poppies cascading from a window, will be
displayed at a series of temporary exhibitions around the country. But many will
be sold to help raise cash for service charities in the UK. I believe they’re
£25 each, and 10 per cent goes to the charities, plus all net proceeds.
I must admit that when I went to see the poppies I didn’t
quite know what to expect, and feared it be rather mawkish and sentimental, and
that it might glorify war. But it wasn’t like that at all. I thought it brought
home the pity and horror of war, and somehow this monumental piece of art made me
realise just how great the slaughter was, especially when you multiply the
numbers across the various nations involved.
| An individual poppy on the information board. |